[ BACKGROUNDS ]

Regular grid of dots with a scatter flaring to full accent.

Parallel 45° rules — a few pop, the rest stay ghostly.

Brutalist confetti of rotated squares — outlined to solid.

Honeycomb lit by a wave crossing it; cells breathe with the field.

Interlocking triangles, the two orientations driven in antiphase.

Quarter-arc tiles that turn — long curves form and break across the frame.

Interlaced bands passing over and under each other — occlusion without isometry.

A quiet vertical grain with cavities melted out of it — they drift, merge and pinch apart.

A rectangular lattice of dashes, dragged into an Archimedean spiral toward the centre.

Grid of windows, each showing the fragment of an oversized disc or square that falls inside it.

One arc per corner instead of a nest — the classic thin Truchet, all line and no ribbon.

Mirrored tiles, so arcs meet as butterflies rather than carrying straight through.

Constellation of nodes wired to their nearest neighbours.

Two-source wave interference as displaced rules; the fringes exist only in the sum.

Streamlines swimming along a vector field written as two crossed sines.

Long streamlines with a pulse running along them — traced once, lit per frame.

Interference from many sources at once, where the fringes stop being traceable.

Concentric wave distortion drawn as a field of marks rather than as rules.

Spokes and rings about a centre — the one background with a middle to sit behind.

Counter-rotating polygon bands, mostly missing — the negative space is the structure.

Rings of beads that gather toward a focus and scatter back, wandering an outer band.

A triangular lattice inside a polygon, with tangent line families radiating off its vertices.

Marks placed on the golden angle, the way a seed head packs.

A polar lattice with its neighbours joined — the mesh, not the marks.

A mesh following spiral trajectories, for circular flow.

Petal curves from r = cos(k.theta), nested and turning.

Concentric polygons joined by swept parallels; the moire between them is the effect.

A dense annulus of short radial ticks, with the middle left open for something else.

A handful of very thick concentric arc segments — poster weight, not fine structure.

Rings deconstructed into loose tangential segments rather than beads.

Golden-angle placement drawn as dots on visible spiral arms rather than as dashes.

Stacked topographic waves with occasional bright bands.

Layered angular mountains, parallaxing — depth by contrast, not perspective.

A wireframe height field — terrain drawn as a grid rather than as a silhouette.

Stacked oscillating rules under an envelope that decays across the frame.

Isometric lattice of diamonds; some cells fill with accent.

Stacked cubes on a rolling height field — opaque faces, so depth survives.

Parallelogram cells on a triangular lattice, tilting like ribbon segments.

Isometric cubes threaded along a sine helix, nearer ones hiding those behind.

Cubes on a noise height field — an isometric landscape rather than a regular stack.

A flat field of cubes at even height, widely spaced — architecture, not terrain.